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Halo
Sample from Chapter 2 |
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The text gave way to a moving scene. The setting was a small back street in a turn of the century neighborhood. It looked like someplace in New York, or maybe Chicago, one of the heavily populated urban places of that time period. The street was made of cobblestone and all the store fronts were glass, their signs all hand painted. Above the stores were small apartments. From each apartment window a rope snaked out, finding a home in an apartment on the other side of the road. From these tight ropes above the road, clothes were left out to dry. It was completely vintage. Suki loved it already.
A man stepped into the picture. He appeared from behind the camera’s view. The impression was that he was old, his hair white as snow and his posture slightly bent over. But his face seemed to be caught at forty, a deep tan turning his skin to human leather. He wore dark pants and the appropriate frock coat to match. He walked slowly, yielding a moment before turning to face the camera. He held out his hand and a silver tipped cane appeared in it. Not such an amazing feat for film. He began his sermon.
And that was most definitely what he was doing, preaching. It was in the way he moved and held himself there. He punctuated his words with sharp jabs of the cane at the air.
She waited for the text scenes to come, or anything that offered the audience a glimpse of what he was saying. None came though, just the steady lecturing of this man that was becoming increasingly violent the longer he carried on.
The people began to come. Slowly the store doors opened, groups of people moving through them to come stand behind the preacher in the street. They came down from the apartments, crawled from their work places that were out of the camera’s stationary view. Each bore the look of someone in a trance, like a bunch of commonly dressed zombies. A moment later the first of his congregation fell to her knees, her arms raised to the man.
A snake charmer. That was the first thing she thought of as she watched the display. She saw sights reminiscent of this one in the holy roller churches, or the places they used poisonous snakes in the service. The people were caught up in their religious fervor, dominated by the presence of the preacher before them.
Finally the scene was replaced with another block of text.
Shall the people call him by name once he has diseased the world? Shall the next innocent find her neck to great to sacrifice to his will, but her love he can bare? The one who has come again, in the cycle of life and death to rebirth, born once more to this world when she should have moved on to the next. He offers that dark man this gift and requests nothing but his pardon, fearing none but he. He lied, the other can love to the degree of obsession. The Heirophant calls for the maelstrom...
Yet another cryptic bit of writing that made no sense in relation to the story being told. Tom was right though, the movie was slowly starting to give her the creeps. The way it was filmed —like a home movie— and the effect of it being silent with only the crackling of the projector, caused not nostalgia but goose bumps. It was one of those things that, for some unknown reason, made you feel just a little dirty watching it.
The street scene returned and the congregation were in full praise. Their hands were high in the air, reaching out to some unseen force high above while their mouths called out prayers to the man standing next to them. The preacher lifted his arms to the sky and this blue colored wind appeared above him.
Now she knew what Tom was talking about with the special effects. They shouldn’t have been able to add the coloring to the film back then. Of course it could have been tinted, they colorized films all the time these days. She could easily run a few tests on the film itself to see if someone from her time period had lent the film some effects.
The blue wind whipped through them, tugged at the peoples’ hair and pulled their clothes up into the air before dropping it back down. It was weird to watch, common in movies today, but she never saw such effects so flowing and natural in these ancient movies. The wind had it’s own life, and even without the blue tint to it you would have been able to see it’s presence among them.
Then the first person was in the air.
Suddenly one of the congregation just flew upwards into the air about ten feet before stopping. Slowly he began to move in a circle. Then the next person was up, and then another. Each of them being tugged into the air, pulled into some invisible whirlwind. The preacher kept on with his sermon as his flock was fast becoming a human tornado behind. She could also see the wind’s attentions taking it’s toll on the people flying. Their skin was becoming riddled with welts and slashes in all the places the wind nipped at them, like the invisible force had teeth.
The camera caught the speaker’s eyes, giving the viewer eye to eye contact with him. She hadn’t noticed the white’s of his eyes were as black as the pupil, that only a thin line of light brown gave the eyeball any color at all. Suki looked away.
The scene gave way to another block of text, this time direct and to the point:
The Heirophant knows... and he’s something to show you... of the coming of your end.
It jumped back to the street, no one was standing. The congregation was now completely swallowed by the maelstrom. The preacher continued with his sermon. Then the camera moved. It was lifted, approaching the speaker. Once too close to the whirlwind the camera appeared to fall to the ground, looking up in a worm’s eye perspective. The camera man must have crawled the rest of the way, aiming his lens upwards as he made his way towards a door. He made it to the steps of a store front and stood up. There was a sign on the store front door that he appeared to be trying to get on film. The words were just barely visible when another text scene replaced it. This one simply read scene missing.
Tom got up and turned the projector off. “That’s it. It goes on for another five minutes but all you get is that scene missing message. Pretty creepy eh?”
Suki was rubbing her arms absently, she was suddenly quite cold. It was an odd sensation, but she felt like she should really know what the film was about. She’d never seen anything like it but it was still familiar, like an old memory that comes to surface after years. You can’t quite tell if it’s a memory or an old dream still stuck in your head. Regardless, she did feel as though she completely understood the text in the movie, only she could not quite get the meaning beyond the tip of her tongue.
Sample from Chapter Six
“I mean what does it feel like to be you? How does it feel to have a woman half your size hit you and just walk away? How does it feel to have her spit hatred at you and still, still somewhere in the back of your head you think you can make things better. In fact, this might be a god send for you. You think you might just be able to crawl back up to Suki and play on her guilt. Maybe get a kiss out of her. Show her what a man you really are beneath that slouching exterior. So, what does it feel like to be like that?”
Tom didn’t move but the fear was falling way to anger. He didn’t need some ass-hole in an elevator playing mind games with him after all that shit Suki gave him. In fact, since this guy knew so much maybe he was the one leaving her the little notes. Maybe he needed to point Suki in the right direction before letting her know what a bitch she was being.
The man moved. Tom saw his face for a split second before he felt the man’s hands grabbing him by the back of the neck. Pulling Tom’s face swiftly downwards as the dark man’s knee came upwards. Somewhere in the middle the two met one another, Tom’s nose smashing into the bone of the other man’s leg. White light splashed across his vision as a copper taste came to his lips. His arms grabbed at anything he could find in the sudden blinding darkness. He grabbed on to the other man’s jacket. Appropriately it felt like leather, the man behind it felt strong, well kept. He was going to punch him in the gut when the dark man brought nose and knee together once more. This time Tom’s nose shattered, he even imagined that he could feel the tiny shards of bone falling into the bloodstream. His body of plasma becoming a bone and cartilage stew. The dark man let go and Tom fell to the floor. The pain was all consuming, he couldn’t even force himself to move away from the danger.
The dark man kneeled down, putting his hand on the back of Tom’s neck and pushing his head against the elevator floor. “Don’t you ever think of that woman as a bitch. If you were a smarter man you might have taken what you wanted instead of settling for what she offered.”
The dark man stood up, slowly cleaning away the blood from his leather jacket. His hand reached into a hidden pocket within the front of the coat and withdrew a long metal object. It was smooth on all edges till he slid his finger over the top. The pressure caused a very small blade to slide from one end. The blade sharper then any scalpel a surgeon used.
“For the record Thomas, I didn’t send her those letters. Whole different bunch of ignorance, much like yourself, at work there. Now...” he grinned, grabbing hold to the back of Thomas’ shirt. “Let’s you and I make some art.”
Suki read the captions as they flashed across the screen. The first message was so cryptic yet poetic in its own macabre sort of way. Somewhat like the video itself. The whirlwind of people being drawn in, becoming this human tornado. The man in front, in his knickers and wool coat — he looked more like a carnival man. The type of crowd gatherer who stood before the freak tent describing the mysteries hidden behind the canvas. As he described his freak show, or preached his sermon, the free floating blue wind wove its way around and through everything. It touched them all, it slapped them, bit, tore and caressed all those it came in contact with. Entering a woman’s palm, moments later finding its way out through her eyes. She thought she could see a dance to its movements, a method to its flight. The effect was almost hypnotic. She had to look away.
“Have you figured out how they did it yet?”
Suki jumped. She looked over her shoulder at Philip who stood in the doorway. He had a half eaten apple in one hand and a bottle of water in the other. His eyes looked weary, probably much like her own. She offered him a smile.
“No, not yet, probably not ever.” She set her glasses down and looked back towards the screen. “You know I just can’t figure it out. I can’t see the wires, I don’t know how they didn’t get themselves all tangled up with the spinning. And I know this is authentic. I had the damn thing dated three times for verification.”
Philip shrugged “Maybe they didn’t use any trick wires. Maybe it’s some freaky home movie.” He took another bite of his apple.
“Oh.” Suki grinned “and you think there are occasions in the world to film a group of people just turning into a tornado? Man, wish I had a camera ready when something like that happened.”
Philip playfully flashed her his middle finger and laughed. “Your sarcasm wounds me. I’m just saying you might not figure this one out. I know you love to sit down with these old movies and figure out how those old birds did some of their effects but there will be times that even you, Queen Sheba of all movie knowledge, is going to be stumped. It’s just one of the many fuck overs of life.”
Suki grinned at him, sticking her tongue out. “Go eat your apple. I’ll figure it out, don’t you worry. Now...” she waved him away “leave me alone, go home. Call your girlfriend and leave me to my vault.”
Philip laughed at her but did turn and leave. He shut the door behind him and disappeared down the stairs. Suki turned her attention back to the video. The wool clad man and his pet wind gave no signs of offering her any help in her task. She hit stop and then rewind, might as well start from the very beginning. A headache was pressing at her temples, another minor ache finding its home in the back of her neck. She popped some aspirin and called it good, hit the play button and started her next session with the maelstrom.
She had to be missing something, she ran the player on slow. The cobblestone was real, there was dirt, feathers and miscellaneous garbage crushed into the mortar between the stones. It must have been hell to have to drive over that stuff. The windows were painted but some were newer then others. One store offering fresh veggies had let their sign chip away to almost nothing. It boosted "fresh veg ables" and their special in season "swe t orn". Other words were beyond reading. The shop next to that one though was perfect and bright. A cheery sign offering dry goods for all your needs. A woman was drawn in great detail holding up a bolt of colorful fabric. Something any woman might like to make a dress out of.
And here came the ringleader, the man with his white hair and leathery features. His full black eyes were something you could get as contacts now but weren’t available back then. At least she didn’t think so. His eyes are glued to the camera lens pointing at him. Preaching, lecturing in a venomous tone that often scared her when she saw it from a modern day preacher. Every remark is punctuated by that damn cane of his. After constant viewing she’d finally noticed the silver tipped end and all the small writing on it. The writing almost looked like hieroglyphics. Somewhere in there she even noticed the small holes that riddled his clothes. Like moths were at work all the time to wear down the thick woven material.
Then there is the crowd. She knew each of their faces now. There was the portly woman who looked weary, the kind of woman who spent her whole life baring children for her husband. There was a handsome man that always caught her eye, he kind of looked like Philip, only older and in possession of a thin beard. And there were other faces, each with quirks and ticks that stood out. They came to worship this man, the religious fervor rushing through them like a virus in the air. They fall to their knees before eventually being lifted into the air. She wondered who the individuals were, what happened to them after the film was done.
The wind comes. When she slowed the tape the first time she found the wind came from the preacher’s mouth. His face lit up for a moment as the wind was forced over his tongue and teeth like bad air. It rushed from him and took to the air, twisting and turning in the same fashion some ballerina’s can make a long ribbon dance with them.
Again the camera was picked up, moved from its stationary position. Those old fashion cameras were hand wound as they filmed and fragile, they weren’t meant to be moved themselves. But this one was. The camera man moved towards the crowd. Once by the preacher he fell to the ground, crawling till he found the steps. The sheer roar of the event taking place to his left must have been deafning. But there was that moment he looked upwards, aimed the camera towards that man who could only be the Heirophant the text spoke of.
She thought of the letter, the reference to him and then to her. She thought of the creepy sounds the messenger made when he left it on her door. Then there was Tommy, who had taken the brunt of her sudden anger, or fear? Yes, it was most likely fear that had her yelling at him, telling him to confess to the notes. If it had been a joke on his part she would feel a hell of lot better right now. There wouldn’t be this need to prove the film to be just that, a film. Something some long dead director pulled together through primitive make-up and special effects.
The man moved up the steps, trying to focus in on the sign pinned to the door. Any moment the scene missing text would replace the door. She waited, realizing she could almost make out the letters, still no text to cut the view. And then there is was. The sign on the door, as plain as day. It read: Here the Siobran found refuge from the Heirophant’s maelstrom, 1875. May God help us all.
She sat up, now glued to the screen. Best not to question how something that once was not there suddenly was. If this was a dream it was vivid, if it was real it was impossible to explain. But the sign was there and it was familiar. It read the same as the first note on her door. Only this offered no reference to her or the other person. “Where is the mention of Icarus?” she whispered to herself, a resonating sound that carried farther then she could imagine. Even the hand writing was the same.
The camera man was moving further. He opened the door and stepped through. Inside people were running, some trying to tie blankets up over the windows, others trying to secure the doors. The camera man moved past them, stepping through a doorway that lead to a long, empty room. It might have been a storage room. Too many people were pushing past him, knocking him around. The camera would get knocked one way and show a person who looked very much the same as those people flying outside. The only difference was the frightened look on the faces of these people. The camera man pushed on into the storage room. The camera found a form huddled in the corner, he moved towards it.
The thing sitting there looked like a large rag doll thrown down. But it was female, wrapped in dirty cotton clothing and a knit shawl. She moved, turning to the side as though she were threatened by the approaching camera man. He didn’t crowd her though, just filmed her as she pressed her head into her knees. Then she moved, looked up suddenly towards something out of the camera’s view.
Suki felt ill, quick and sudden, she knew she was going to throw up. She reached for the trash can near the desk, loudly losing that breakfast bar which served for dinner. She whipped at her mouth, looking towards the woman on the video. The lazy looking eyes, the lips, even the slight bump in the nose, it was a mirror image looking back at her. “But this is impossible...” she whispered.
There was the girl though, a perfect replica of the woman watching her. The camera panned around to find the object of her attention, a man standing in the doorway. Thankfully it was no one she knew, just some non descript long haired man standing there. The camera found the girl again, she looked so happy to see the other man. For a moment Suki could think of some of the things that had caused her to make the same face. The man started towards her, arms out. She reached towards him as the camera started to pull away. It suggested a typical lovers embrace. The man found the woman but there was no hug forthcoming. His nails found her chest, tearing at the delicate skin above her breasts. The skin gave way, the blood flowing freely. Suki felt a sudden ripple in her own chest, like the memory of a wound or a sympathy pain for someone else’s grief. The man was literally tearing her heart out. Next to them a blanket was tied to the wall. In her efforts to push the man a way they tumbled onto the bottom of the blanket, pulling it away from the window. Outside the maelstrom was spinning in full force, a whirlwind of bodies, blood and debris.
“See how they twist and shout.”
Yet one more time that night Suki jumped, almost startled out of her skin. She stood up knocking the chair over in the process. A man was standing in the doorway. She couldn’t see him through the shadows that held to him like clothing. A bit of light found his hands which were dripping with blood, dripping onto the freshly waxed floor beneath his feet. She could hear the droplets hitting the polished wood. It mingled with the sound of the soft buzz from the video player. Her stomach threatened to revolt again.
“Who...” she cleared her throat of the bitter bile lingering from her stomach’s upheaval “Who are you?”
The man grinned, she knew he was grinning. “I’m the ominous man Suki. I’m sure you heard of me.”
“And your hands...” she managed to say, trying to keep it together.
He laughed, a light and healthy sound to the vision he offered. “My hands? You mean the blood? Oh that's Tommy. He and I met in the elevator.”
There was no response from the woman except for the sound of a crash as Suki fainted.
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